POMPEII ARCHEOLOGICA & RESTAURO ARCHITETTURA: “Everything Has Been Reformed, Nay, Moralised, As It Were, in the Dead City”. Giuseppe Fiorelli in Pompei, in: M. Osanna, M.T. Caracciolo, L. Gallo (edd.), Pompeii and Europe. 1748-1943, Catalogue of the Exhibition, Milano 2015 [pdf], pp. 228-237.

pompei 1865

POMPEII ARCHEOLOGICA & RESTAURO ARCHITETTURA: “Everything Has Been Reformed, Nay, Moralised, As It Were, in the Dead City”. Giuseppe Fiorelli in Pompei, in: M. Osanna, M.T. Caracciolo, L. Gallo (edd.), Pompeii and Europe. 1748-1943, Catalogue of the Exhibition, Milano 2015 [pdf], pp. 228-237.

FONTE | SOURCE:

— Massimo Osanna, “Everything Has Been Reformed, Nay, Moralised, As It Were, in the Dead City.” Giuseppe Fiorelli in Pompeii, Part Two. Pomp eii in Unified Italy 1860—1943 – Archaeology and the Arts in Pompeii in the Second Half of the Nineteenth Century, Catalogue of the Exhibition, Milano 2015 [pdf], pp. 228-237.

https://www.academia.edu/15307290/_Everything_Has_Been_Reformed_Nay_Moralised_As_It_Were_in_the_Dead_City_._Giuseppe_Fiorelli_in_Pompei

— Massimo Osanna, ACADEMIA.EDU (2016).

FOTO | FONTE | SOURCE:

— Édouard Sain, Les Fouilles de Pompéi, 1865. Paris, Musée d’Orsay.

s.v.,

— POMPEII ARCHEOLOGICA & RESTAURO ARCHITETTURA: Rome – Pompeii: The Collapse of the ‘Schola Armaturarum’ (III. 3.6) / Pompei, crolla l’ Ameria dei Gladiatori. November 6th, 2010. Painting – FILIPPO PALIZZI, “GLI SCAVI DI POMPEI,” firmato e datato in basso a sinistra Fili. Palizzi / 1870.

Rome - Pompeii: The Collapse of the 'Schola Armaturarum' (III. 3.6) / Pompei, crolla l' Ameria dei Gladiatori. November 6th, 2010. Painting - FILIPPO PALIZZI, "GLI SCAVI DI POMPEI," firmato e datato in basso a sinistra Fili. Palizzi / 1870.

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